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・ William C. Davol, Jr., House
・ William C. Dement
・ William C. deMille
・ William C. Dietz
・ William C. Dixon
・ William C. Dodge
・ William C. Doran
・ William C. Dowlan
・ William C. Dowling
・ William C. Drinkard
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・ William C. Dunbar
・ William C. Duncan
・ William C. Durant
・ William C. Earnshaw
William C. Eddy
・ William C. Edes
・ William C. Farr
・ William C. Faure
・ William C. Feazel
・ William C. Ferguson
・ William C. Fields
・ William C. Foster
・ William C. Fownes Jr.
・ William C. Frazer
・ William C. Freda
・ William C. Frey
・ William C. Friday
・ William C. Fyffe
・ William C. Galvin


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William C. Eddy : ウィキペディア英語版
William C. Eddy
William Crawford (“Bill”) Eddy (August 22, 1902 – September 15, 1989) might best be described as a 20th Century Renaissance Man. Naval officer, submariner, engineer, television producer, educator, cartoonist, artist, inventor, entrepreneur, explorer, writer – all of these characterizations and more could justifiably be applied to him, and he was successful in all of them.
Bill Eddy was born and raised in Saratoga Springs, New York, where his father was a successful businessman and four-term mayor. He completed high school at the New York Military Academy, then received an appointment to the United States Naval Academy. With minimal hearing capability, he passed the physical examination by “reading lips,” then kept this deficiency hidden throughout his years at the Academy and during his initial military service.
==Early career==

Upon graduating from the Naval Academy in 1926, Eddy’s first assignment as an Ensign was on the light cruiser USS Cincinnati (CL-6). He was initially sent to Nicaragua to “fight the Banana Wars,” then dispatched to China to protect American interests and “show the flag” along the Yangtze River. In 1928, Eddy requested and received a transfer to the submarine service. At six-foot six, he was almost too tall for submarines, but nevertheless received an assignment on the USS S-35 (SS-140), patrolling the Asiatic waters from the Philippines. To compensate for his hearing problem, he designed a visual display for audio tracking signals; this apparatus was widely used on submarines for many years. When Eddy learned that the Navy needed a suitable badge for the submarine service, being a talented artist he designed the "Dolphins" insignia; this was adopted and is still proudly worn by eligible personnel.〔Submarines in the United States Navy#Insignia
In 1930, Eddy was sent to the Naval Submarine Base New London in Connecticut. Here he qualified as a submarine commander and was promoted to Lieutenant (Junior Grade). Remaining at New London, Eddy set up an electronics course for officers. He had his own laboratory for conducting research in underwater sound gear and signal communicating from a submerged position; his research resulted in four secret patents. When standing a physical examination for promotion to Lieutenant, his hearing loss came to light, and he was forced into disability retirement at the close of 1934.
In early 1935, Eddy joined Philo T. Farnsworth, the inventor of fully electronic television, in his new research operations in Philadelphia, Pennsylvania. While he soon made engineering contributions in developing new equipment, it was with Farnsworth’s experimental television station, W3XPF, where he gained wide recognition. He essentially “wrote the book” for the emerging studio activities, setting the stage for television operations over the next years.〔Everson, George; ''The Story of Television: The Life of Philo T. Farnsworth'', W. W. Norton, 1949, pp: 202-207; https://archive.org/stream/storyoftelevisio00everrich/storyoftelevisio00everrich_djvu.txt〕
To assist with his hearing – by now very poor – Eddy developed a miniature electronic set driving a vibrating element that was contained within an unlit pipe. When clenched in his teeth, the pipe delivered the sounds – albeit very distorted – through his jaw to his inner ear. For the rest of his life, this pipe was ever present.
Having gained a reputation at W3XPF, Eddy was recruited by RCA, Farnsworth’s main rival. In 1937, he joined RCA’s experimental station W2XBS in New York City. Here, Eddy applied for 43 patents and received wide recognition for his accomplishments. Among other television studio innovations, he is credited with creating the field of sight effects – using miniatures, special sets, and innovative lighting to greatly broaden the telecast scenes.〔“Creating sight effects,” ''Popular Mechanics'', January 1941, pp. 34-37; http://books.google.com/books?id=ftkDAAAAMBAJ&pg=PA34&lpg=PA34&dq=%22television+sight+effects%22&source=bl&ots=BjVlyEtvWB&sig=fe32otRAf7cl1-RkdkrKOQsnNkE&hl=en&ei=URxdS6TvO8eUtge_u72nAg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CAwQ6AEwAQ#v=onepage&q=&f=false〕
Now one of the most recognized television authorities in America,〔Strong, K. W.; “He did the impossible,” (at RCA Television ), ''The New York Sun'', January 27, 1940〕 Eddy was invited by the Balaban and Katz theater chain to initiate electronic television broadcasting in Chicago. In April 1941, he opened W9XBK as an experimental station, operating from facilities in the Chicago Loop district. Although there were only a few hundred television receivers in the area, Eddy inaugurated many technical and programming innovations, including the use of a remote unit with a high-frequency link to telecast live sports events.

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